Youth in Revolt is the latest addition to the a series of films that thematise on the so-called hipster culture, albeit the film’s perhaps sincere attempts to reveal the vulnerable core of American youth is significantly marred by its happily-ever-after ending.
Michael Cera (Juno, Nick and Nora’s Infinite Playlist) once again plays Nick Twisp, an awkward youth whose life goal is to lose his virginity. On the surface Nick is a younger and better looking version of Paul Finch character of American Pie; he is an aficionado of Frank Sinatra and speaks long sentences in a pseudo-intellectual manner. However, what distinguishes Nick Twisp from a long line of nerdy virgin heroes of American teen movies is his sidekick alter ego Francois Dillinger, a criminal rebel who aspires to follow the footsteps of Michel Poiccard, the nihilist hero of Jean-Luc Godard’s Breathless, and American gangster John Dillinger.
Francois Dillinger is what Sheenie, Nick’s love of life, wants. As a major Francophile who indulges in the numerous posters of Jean-Paul Belmondo (the very actor who played Michel) and records of Serge Gainsbourg, Sheenie asks Nick to be “very bad” in order to enrage his mother so that he can be sent away and united with her. Under the guidance of Francois Dillinger, Nick conducts a series of misdemeanors, most notably burning down a half of Berkeley and manipulating a classmate to drug Sheenie in order to have her expelled from the French boarding school her parents sent her to.
What is disturbing and interesting about Youth in Revolt is, Nick has no guilty conscience. He does not question the extreme methodology of Francois Dillinger, nor seem to be concerned about the consequences of his actions. Nick is apathetic to others except Sheenie, yet he runs to his father for help when the police comes after him (and criticizes his father for not helping him). At this point, the director Miguel Arteta could have made a successful critique on the blinded side of hipster culture by portraying a kid who is lost and insecure inside theĀ pretentious layers of culture and intellectualism. However, instead of a healthy criticism, Nick is reunited with Sheenie who forgives him “because he did it for her” and has sex with her. Arrested by the police, he is only happy that he is going to the prison as a non-virgin, and Sheenie indifferently comments, “juvenile detention is only for three months.” Along with the ending credit, the audience sees Nick enjoying his life in the prison in an animation.
Frankly speaking, I am lost. Is Youth in Revolt an accurate portrait of symptoms of the American youth, or just a lukewarm result of mixing hipster references with a traditional teen sex comedy?